“Only I am human,” he hisses. His heel digs into a little silver face, the metal thrumming with pain signals racing towards the machine’s brain. “Now clean the floor, I want this done by tonight.”
The machine with a human face is silent.
“I am a human,” he says a year later. The new neighbours stare at him, pupilless eyes focusing on him with a soft click of shifting gears. “Don’t worry about the rumours that my kind is, well, ah – I assure you that we’re not dangerous. I want us to get along.”
The silver-faced family is silent.
“Please, please,” gurgles out of his throat five years later, the chrome of a sterilised table biting into his naked back, “I’m only human, I can’t hurt you. Please, oh – oh oh God, I beg you. I beg you. I’ll do anything you want.”
The perfect, silver human above him blinks. A hand lifts into the air, waves, and a crowd of more silver and gold and blood-smeared copper approaches.
They surround him, metal fingers on his ankles and wrists, and they are silent.
“Watch closely,” the perfect, silver human says. “I want all of you to pay attention and document this properly. You do not see a species taking its last breath every century.”







